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So many amateur billiard players, as soon as they see how extremely helpful pocket side is on occasion, fall into the deplorable habit of using more or less side with all sorts of shots which ought to be made by plain ball striking and accurate division of the object-ball. Some basic billiards instruction should put a stop to this bad habit.
I cannot warn you too strongly against this common fault, and to help you to guard against it, I advise you to adopt this rule: when you are in doubt as to whether or not side should be used to help your ball into a pocket-do not use any-play plain-ball with all the accuracy and judgment you can put into the stroke.
Most unfortunately, the direct opposite is the general rule among amateurs. They play on the principle-" Always use side when in doubt," and their billiards suffers accordingly, very often to the extent of losing full half of scoring ability. This may seem a startling thing to say, but it is so true that in every billiard room of any size there are players whose game would improve fifty in a hundred if they left off playing with side whether it is wanted or not.
The Short Jenny
The short jenny is similar in principle to the long jenny. In execution, however, there is the important point of difference that the permissible margin of error is much less. You may make the long jenny even if your ball bumps along the side cushion before reaching the pocket. But you will never score a short jenny in this way. Some billiards instruction is needed to perform this valuable move.
The least graze on the near jaw of the middle pocket, never mind the side cushion, will cause a short jenny to fail. If you play slowly enough, your ball will drop if it strikes a portion of the far jaw of the pocket, but this is as much as you can trust side to do for you when you attempt a short jenny.
It is much better to play them as far in the centre of the pocket opening as you can, which is an excellent rule to adopt when playing for any pocket, as it is slovenly billiards to trust to your ball "bumping in" after a perfectly needless contact with the jaws of the pocket. This failing proves terribly costly if a man becomes addicted to it on an easy table and is called upon to play an important game on a standard table.
Then, with unfailing regularity, he will see his ball bumping out instead of in the pocket, which is invariably so demoralizing that he has no chance unless he happens to be pitted against another amateur who is in the same predicament. The best remedy, of course, is never to play except on a standard table.
Alternative Methods
To revert to our short jenny, place the cue-ball 3¾ inches inside the left spot of the baulk-line. Put the red 3½ inches from the right side cushion and 25½ inches from the baulk-line, and you have the stroke arranged to perfection. I want you to notice the angle, and thus familiarize your eye with the correct method of placing your ball for these most useful strokes. To play the shot, you hit the red half-ball with as much right-hand side on your ball as you can impart to it.
As regards strength, the stroke can be made very prettily by playing just hard enough to bring the red away from the side cushion so as to leave an easy loser into the right-hand middle pocket. As so many fine players make the stroke in this way, I have nothing to say against it. But I do think that by playing so slowly your ball is given more chance to turn than is necessary, and I always play with just enough strength to take the red across the table, thus keeping my ball straight and eliminating the tricky turning tendency. Take some billiards instruction to master this stroke, and you will soon be able to use it to advantage.
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Blues Guitar Lessons - Primer 1 - Blues Bash - Keith Wyatt








































